Title: Reading voices: literature and the phonotext 
Author: Stewart, Garrett
Published: University of California Press,  1990
Subjects: Literature | Literary Theory and Criticism | English  Literature
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Title: Resistant structures: particularity, radicalism, and Renaissance texts 
Author: Strier, Richard
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Renaissance Literature | English  Literature
Publisher's Description: Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must - or cannot - say or do.The first part of the book, "Against Schemes," demonstrates, in discussions of Rosemond Tuve, Stephen Greenblatt, and Stanley Fish among others, how both historicist and purely theoretical approaches can equally produce distortion of particulars. The second part, "Against Received Ideas," shows how a variety of texts (by Shakespeare, Donne, Herbert, and others) have been seen through the lenses of fixed, mainly conservative ideas in ways that have obscured their actual, surprising, and sometimes surprisingly radical content.   [brief]
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Title: The rest is silence: death as annihilation in the English Renaissance 
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English  Literature | Literary Theory and Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
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Title: The tireless traveler: twenty letters to the Liverpool Mercury 
Author: Trollope, Anthony 1815-1882
Published: University of California Press,  1978
Subjects: Literature | English  Literature | Letters
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Title: The tragedy of Mariam, the fair queen of Jewry
Author: Cary, Elizabeth, Lady 1585 or 6-1639
Published: University of California Press,  1994
Subjects: Literature | Renaissance Literature | English  Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and Biographies
Publisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.   [brief]
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Title: Tran sforming desire: erotic knowledge in Books III and IV of the Faerie queene 
Author: Silberman, Lauren
Published: University of California Press,  1995
Subjects: Literature | English  Literature | Literary Theory and Criticism | Men and Masculinity | Women's Studies | Poetry | Renaissance Literature
Publisher's Description: The Faerie Queene anticipates postmodernist concerns with destabilizing language, and Lauren Silberman's stimulating study of Books III and IV of the poem proceeds from the assumption that Spenser has something important to say to us in the late twentieth century.In these books, Spenser exposes fictions of total control for what they are - fictions. The text affirms the value of risk and improvisation over the temptation to seek guarantees. The books examine the role of desire in moving us to function in an uncertain world and tempting us to foreclose that uncertainty by strategies that seek to frame knowledge through total mastery of it.   [brief]
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Title: The trauma of gender: a feminist theory of the English novel
Author: Moglen, Helene 1936-
Published: University of California Press,  2001
Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English  Literature
Publisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.   [brief]
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Title: Traveling in Mark Twain 
Author: Bridgman, Richard
Published: University of California Press,  1987
Subjects: Literature | English  Literature | American Literature
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Title: Trials of authorship: anterior forms and poetic reconstruction from Wyatt to Shakespeare 
Author: Crewe, Jonathan V
Published: University of California Press,  1990
Subjects: Literature | Renaissance Literature | English  Literature
Publisher's Description: For more than a decade, the English Renaissance has been the scene of trial for the critical methodologies of deconstruction, feminism, new historicism, psychoanalytic poststructuralism, and cultural studies. Jonathan Crewe argues that the commitment in the prevailing criticism to innovation, transgression, and radical change has increasingly obscured some powerfully conservative elements both in Renaissance culture and in these critical discourses themselves.In a reading of the poets Wyatt, Surrey, and Gascoigne, and of the biographies of Thomas More and Cardinal Wolsey, Crewe focuses on the relatively stable poetic and cultural forms operative in the Renaissance. He argues that these established forms, which shape poetic composition, social interaction, and individual identity, are subject to only limited reconstruction by English authors in the sixteenth century. They both facilitate and limit literary and social expression and result in more sharply conflicted literary production than contemporary critics have been willing to acknowledge. Crewe concentrates on authors whose canonical status is somewhat precarious and intentionally shifts the emphasis away from the Elizabethan period and toward that of Henry VIII. Trials of Authorship redraws the existing picture of the English Renaissance in the sixteenth century.   [brief]
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Title: Vanishing points: Dickens, narrative, and the subject of omniscience 
Author: Jaffe, Audrey
Published: University of California Press,  1991
Subjects: Literature | English  Literature | Literary Theory and Criticism
Publisher's Description: In traditional narrative theory, the term "omniscience" refers to a narrator's absolute knowledge and authority. Narrative theory provides no social, historical, or psychological context for omniscience, nor does it attempt to explain the predominance of omniscient narration in nineteenth-century British fiction. Audrey Jaffe uses Dickens's novels and sketches to redefine narrative omniscience as a problematic that has implications for the construction of Victorian subjectivity, giving us new insights into Dickens and into other fiction as well.Jaffe demonstrates that omniscience is the effect of a series of oppositions - between narrator and character, knowledge and its absence, sympathy and irony, privacy and publicity. Showing how these oppositions participate in and enforce Victorian ideas about family, the subject, and private life, this study illuminates connections between ideology and narrative form.   [brief]
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Title: Victorian literature and the Victorian visual imagination 
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English  Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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Title: Wordsworth and the cultivation of women 
Author: Page, Judith W 1951-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | English  Literature | Poetry | Women's Studies | Autobiographies and Biographies
Publisher's Description: Focusing on the poems of Wordsworth's "Great Decade," feminist critics have tended to see Wordsworth as an exploiter of women and "feminine" perspectives. In this original and provocative book, Judith Page examines works from throughout Wordsworth's long career to offer a more nuanced feminist account of the poet's values. She asks questions about Wordsworth and women from the point of view of the women themselves and of eighteenth- and nineteenth-century culture. Making extensive use of family letters, journals, and other documents, as well as unpublished material by the poet's daughter Dora Wordsworth, Page presents Wordsworth as a poet not defined primarily by egotistical sublimity but by his complicated and conflicted endorsement of domesticity and familial life.   [brief]
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